What Do You Know About Van Gogh?
When Van Gogh was young he used mostly water colours although finding a confirmed water semblance by Van Gogh is incredibly challenging. His youth was not consecrated to art, but his grownup life was. Around 1880 Van Gogh made the decision to make artistic creation his life.
Van Gogh
It took him a few years before others were seeking his work although some were disappointed with the results specifically his uncle. Irrespective of this setback, Van Gogh continued with his artistic creation and practiced many styles. Some of those styles were criticized during that time period but today are considered masterpieces. These criticisms however are what turned Van Gogh onto oil colour paintings.
Van Gogh and his Brother
In 1886 Van Gogh conjugated his brother Theo in Paris, with whom he had serviced a habitue balance throughout his earlier life. It was here that he seriously committed himself to art, and studied at the studio of Fernand Cormon, and encountered Impressionistic artists such as Gaugin, Monet, and Pissarro.
Van Gogh’s personally style underwent a drastic change at this time, turn away from the darker palette of his earlier work such as The Potato Eaters. Instead, he began to utilise the short, thick brushstrokes, and bright, acute colours for which he is most well known today. It was only then, in the last four years of his life, that he created the bulk of his body of work, over 200 paintings.
Van Gogh’s Famous words
“I should like to do portraits which will appear as revelations to people in a hundred years’ time.”
Vincent Van Gogh penned those words in 1890, more than a hundred years ago, in a letter to his sister. This artist has so captured the souls of seekers of accuracy and beauty during our time, and, though he was not recognised during his lifetime, Van Gogh is without a doubt an artistic immortal.
Van Gogh’s room
“In a word, looking at the picture ought to rest the brain, or rather the imagination.”
Van Gogh’s “Bedroom at Arles,” painted in 1889, was intended to be symbolic of relaxing peace. A peek at this painting, abuzz with push and filled with oddities, gives the lookers just the opposite sensation.
The room, though pleasant, all but reels with movement. Whether consciously or not, van Gogh painted the perspective, walls and decorations all atilt, so that we get the impression of a ship’s cabin in a stormy sea, strangely, the two chairs both face toward the bulky wooden bed, and the piece of furniture blocks the two Lavender doors. Paintings on the wall bump into the room as if literally ready to fall off, and the walls themselves are not square.
Conclusion
Though for the most part unrecognized during his lifetime, Van Gogh believed himself to be a true artist. His Thirty-seven years on this planet were not easygoing or pleasant, being full of depressive and violent episodes. But if his body of self-portraits tell us anything, it is that he knew, loved and accepted himself as much as the beloved friends and peasants he portrayed with so much care and compassion.
For more information and resource links on Van Gogh visit: Van Gogh Paintings
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